- RSS

Taasha Coates
29 June 2010
With The Audreys’ upcoming third studio album due for release towards the end of the year, Taasha Coates talks about her travels, possible future projects and her upcoming album with the band.
Travel and songwriting seem to go hand in hand for Coates. In the past she has spoken about how her songwriting flourished in unfamiliar locations such as the Chelsea Hotel in New York, where Jack Kerouac wrote On The Road, and Dylan Thomas died in an alcoholic haze. According to Coates, this displacement is more about getting away from the norm than it is about any specific inspiration.
“[It’s] anywhere you get a bit of a creative shot in the arm. And that could be in the middle of the world’s biggest city, or in a sleazy hotel. We worked on some of this record at a beach house down the Great Ocean Road. It doesn’t matter where it is so much as where your head space is at,” she explains.
“Because we don’t really write songs about landscapes or places, we write songs about characters and people’s emotional stories and things like that. So it doesn’t matter where you are.”
And although Coates insists that location bears little influence in the lyrical content, she admits that her recent trip to India inspired some of the musical direction.
“Well I did go backpacking in India for five weeks at the start of the year, but that doesn’t mean I’m gonna get all Beatles-y,” she jokes, referring to the band’s psychedelic 1968 trip. “It was something really enjoyable to be immersed in another culture. It’s such a great reality check travelling to places like that.”
It was after her trip to India that she decided to simplify the band’s musical style, stripping back each song and eschewing the layered production of past releases. However, in this case musical economy hasn't lessened the lyrical impact. The Audreys' music is nestled comfortably in the blues roots sound, while their two ARIA Award wins (2006, 2008) for best Blues and Roots Album have cemented the band in the consciousness of the Australian public. Coates quickly shoots down any future plans to break out of the confines of the genre.
“I just don’t think I’d sing a pop album very well. I don’t even know if I can write a pop song. I’ve never even tried,” she says laughing. “We’re just happy doing what we do. I’ll tell you what I would love to do though is, and we’ve done a little bit of it, but what I’d love to do more is film soundtracks as such.
“Actually, there was a guy who really wanted to get into soundtrack work, but it’s really hard to break in to in North America, so he made up a pretend film title and released a soundtrack (laughs).”
The Audreys have also seen their music featured in various short films and the ABC show Rain Shadow. But this foray into the commercial world is hardly typical, nor their growing fame likely to give The Audreys' unrealistic expectations of their importance.
“It has made me realise that I just write music, you know, I’m not doing anything really that profound. I’m not changing the world; I’m not feeding the poor, yeah, just giving people something to listen to. So you know, it’s just good to be humble like that sometimes...”
With this optimistic realisation, Taasha Coates seems more at ease now than past lyrical content may have suggested.
“I’m just in a better place,” she laughs.
+ SHOW COMMENTS (0)
15 May 2012
The conference and showcase event that brings some 3,000 music executives from around the world meet to discuss, debate and trade each year can be a hit or miss affair.
14 May 2012
Australian artists are forever faced with the tyranny of distance. Is there a positive to come from it?
10 May 2012
Are Australians paying too much for their music? We ask the industry insiders.
07 May 2012
Booking Melbourne’s legendary Duke Of Windsor during the ‘rock revivial’ last decade; managing bands such as Jet and The Pictures; working A&R at Alberts - Dave Powell was firmly entrenched in the Australian music scene, until he was diagnosed with a rare heart disease.
04 May 2012
Sony ATV’s purchase of EMI Publishing is nearly a done deal. Should it be?
03 May 2012
Nick Gatfield, Chairman and CEO of Sony Music UK, speaks to TMN.
02 May 2012
As part of a broad social history project, the late John Peel’s vinyl collection is being archived online.
01 May 2012
Every week we ask a different person in the industry to tell us about a formative record in their lives.
30 April 2012
Are big-name artist holdouts holding up the streaming business? We ask four industry insiders.
27 April 2012
Nic Jones, the Senior Vice President, International, Vevo, chats to TMN about their Australian launch, and future plans.
19 April 2012
CD singles are all but gone. Will we see CD albums phased out in the near future?
18 April 2012
David Fricke, Senior Editor of Rolling Stone US talks Australian music, the future of journalism... and Keith Richards
17 April 2012
Despite losing its $1billion copyright infringement case against YouTube in June 2010, Viacom is taking a second swing. Once again, the very future of online video hangs in the balance.
+ SHOW MORE
14 May 2012
Australian artists are forever faced with the tyranny of distance. Is there a positive to come from it?
03 May 2012
Nick Gatfield, Chairman and CEO of Sony Music UK, speaks to TMN.