- RSS

09 September 2010
TMN talks to respected/controversial journalist Everett True about his new music criticism/aggregation site Collapse Board, why we need another music blog and what they plan to do differently.
When did the idea for Collapseboard first come about?
Brisbane photographer Justin Edwards suggested the idea of a collaboration between his pictures and my words over a year back.
He'd been a reader of my two UK music magazines Careless Talk Costs Lives and Plan B Magazine, and appreciated the way the photographs were treated, particularly those of Steve Gullick's at CTCL.
I shot back that I didn't think a music magazine was viable, either in 2010 or in Australia. My PhD research at Queensland’s University of Technology was leading me to investigate blogging, and I was also teaching a class in music blogging, so it seemed like a natural extension to suggest an online blog aggregator, but with the focus on local (Brisbane) blogs.
That way, I reasoned, it would be easy enough to create a thriving website. Also, most blog aggregators stop short of posting up actual blog content, preferring to give the RSS feed - this seems dull to me.
Interestingly enough, Justin's reasons for contacting me to start a music magazine/website were pretty much identical as Steve Gullick's back in 2001 with CTCL. Gullick was fed up the way the NME treated photographers. Edwards was fed up with the way Australia's street press treats photographers.
For newcomers, what is Collapseboard?
It’s actually a website in two parts: the blog aggregator part, and the magazine part. The first part collects together a dozen or so local blogs on a regular basis, looking to create a real sense of community. The second part is the more-familiar magazine stuff - reviews, interviews, features, and of course our regular Song Of The Day blog.
There’s a lot of Australian music blogs and coverage out there. What’s your opinion on the current offering?
I grew up writing for fanzines and I very much see music blogs as the 2010 equivalent of that. I love the idea all these individual voices and music fans are commenting upon music, motivated so strongly that they're driven to create their own outlets. What's lacking, however, is focus. All these voices, untrained and unsolicited - it's exhilarating, but often you feel there simply isn't the time to track them all down.
Hopefully, Collapse Board can go some way to rectifying that. Our focus might be on Brisbane - this occurs naturally, as most of us live there - but our scope is international. (In this, we differ from Mess And Noise, which covers Australian music and music news exclusively.)
Also, my suspicion is even some of the better-known of these blogs are simply rehashing whatever the music industry and PRs tell them to rehash: over at Collapse Board we pride ourselves on holding opinions. We are music critics, so first and foremost we love music and then we criticise...
A music site can be a huge undertaking. What inspired you to start your own?
There’s the reasons I’ve already mentioned, plus I find that I can't go to gigs and enjoy myself unless I'm giving something back: be it dancing (which I don't do so much anymore), performing, DJing or commenting. Also, my inspiration for starting a website remains the same as my inspiration for starting a national music title or even a fanzine: no one else seems to want to print my words, so I have to. Once again.
What will Collapseboard do different to other blogs out there?
I'm a very experienced editor and writer and publisher and author, with over 30 years involvement in music. Justin is a great photographer. Brisbane has a totally thriving DIY scene that is mostly ignored by the media - both in the rest of Australia, and locally. Our bloggers are young and old and enthusiastic and talented.
In terms of aggregation, will it be automated or hand-picked from other sites?
Hand-picked. Always.
+ SHOW COMMENTS (0)
15 May 2012
The conference and showcase event that brings some 3,000 music executives from around the world meet to discuss, debate and trade each year can be a hit or miss affair.
14 May 2012
Australian artists are forever faced with the tyranny of distance. Is there a positive to come from it?
10 May 2012
Are Australians paying too much for their music? We ask the industry insiders.
07 May 2012
Booking Melbourne’s legendary Duke Of Windsor during the ‘rock revivial’ last decade; managing bands such as Jet and The Pictures; working A&R at Alberts - Dave Powell was firmly entrenched in the Australian music scene, until he was diagnosed with a rare heart disease.
04 May 2012
Sony ATV’s purchase of EMI Publishing is nearly a done deal. Should it be?
03 May 2012
Nick Gatfield, Chairman and CEO of Sony Music UK, speaks to TMN.
02 May 2012
As part of a broad social history project, the late John Peel’s vinyl collection is being archived online.
01 May 2012
Every week we ask a different person in the industry to tell us about a formative record in their lives.
30 April 2012
Are big-name artist holdouts holding up the streaming business? We ask four industry insiders.
27 April 2012
Nic Jones, the Senior Vice President, International, Vevo, chats to TMN about their Australian launch, and future plans.
19 April 2012
CD singles are all but gone. Will we see CD albums phased out in the near future?
18 April 2012
David Fricke, Senior Editor of Rolling Stone US talks Australian music, the future of journalism... and Keith Richards
17 April 2012
Despite losing its $1billion copyright infringement case against YouTube in June 2010, Viacom is taking a second swing. Once again, the very future of online video hangs in the balance.
+ SHOW MORE
14 May 2012
Australian artists are forever faced with the tyranny of distance. Is there a positive to come from it?
03 May 2012
Nick Gatfield, Chairman and CEO of Sony Music UK, speaks to TMN.