- RSS

21 February 2011
Mick Molloy fears he's a corporate curse. In the same week he returned to Triple M in January, Village Roadshow announced it was selling its shares in Austereo, the station’s owners.
"I’ll take it as a vote of confidence,” the breakfast host laughs down the line from Melbourne. “In fact the last time it happened I was at Channel Nine and on the night of my first episode of The Nation. I remembered James Packer sold all his shares in the station."
Financial funny business aside, the move heralds Molloy’s first full time gig with Triple M since his national Tough Love show wrapped up in 2006. Since then, the former star of The Late Show and the infamous '90s D-Generation radio has concentrated mostly on TV hosting (he’s a regular on AFL show Before The Game), stand-up comedy and writing film scripts, although he has ducked back into the studio now and again.
"I’ve been a professional seat filler for years,” he says. “If a DJ gets pregnant or a presenter goes missing in action, I generally get the call up."
In fact, it was a fill-in gig for Triple M Melbourne’s Hot Breakfast host Luke Darcy (who was over in India covering the Commonwealth Games) last year that led to Molloy’s role becoming permanent this year.
“Radio’s probably my favourite medium out of all of them,” he tells TMN. “It’s creative and people don’t really interfere as much beforehand. They can check you afterwards and tell you not to do it again. Plus if you have a bad day, you can come back and do it the next day and erase the memories. If you’re doing a film or a TV show, you have to live with it…”
And despite it being more than twenty years since he started with Triple M (D-Generation hit the airwaves back in 1990), Molly asserts nothing’s really changed about the art of the airwaves - except technology.
“That’s the only thing. We used to record sketches on a reel to reel machine and someone would have to edit with a razor blade and sticky tape. Now it goes into a computer.
“These days, when you’re taking calls, there’s a print out on your screen with who’s calling, what his name is, what suburb, if he’s called before. Before we used to have someone on hold and there was a lot more danger… I don’t think it’s changed at all. I’m sure we’re still playing Copperhead Road by Steve Earle, which we were playing 20 years ago.”
Even (some of) the faces remain the same. The new gig sees Molloy sharing a studio with his very old friend in Eddie McGuire.
“Eddie used to do the sports reporting on Triple when I started 20 years ago,” Molloy recounts. We’ve worked occasionally on TV together too (they co-hosted Channel Nine’s Winter Olympics coverage last year), so we know each other well. I’ve looked forward to working with him. This is our opportunity for us to both get some hours up in the same studio again.”
At the same time, Molloy is also clocking up hours on Triple M Sydney’s Grill Team breakfast show. In addition to hosting the Melbourne show, he also records daily segments with Sydney hosts Mark Geyer and Gus Worland, which get played from 8:15am. Despite the seemingly arduous task of double-dating two shows and two cities, Molly says it’s not really a problem.
“There’s enough news that goes on that has a national tenure… Everyone knows what the Australian Open is, or the Australian on the Year is. I’ve done national shows before so I’ve had plenty of experience producing material that works in all markets,” he explains.
And does it mean he picks up two paychecks at the end of the week? “Well, you’d hope so. Actually I’m still waiting on one from either station at this stage. Hopefully I’ll get one of those big novelty cheques that Tony Grieg gives out at the cricket.”
+ SHOW COMMENTS (0)
15 May 2012
The conference and showcase event that brings some 3,000 music executives from around the world meet to discuss, debate and trade each year can be a hit or miss affair.
14 May 2012
Australian artists are forever faced with the tyranny of distance. Is there a positive to come from it?
10 May 2012
Are Australians paying too much for their music? We ask the industry insiders.
07 May 2012
Booking Melbourne’s legendary Duke Of Windsor during the ‘rock revivial’ last decade; managing bands such as Jet and The Pictures; working A&R at Alberts - Dave Powell was firmly entrenched in the Australian music scene, until he was diagnosed with a rare heart disease.
04 May 2012
Sony ATV’s purchase of EMI Publishing is nearly a done deal. Should it be?
03 May 2012
Nick Gatfield, Chairman and CEO of Sony Music UK, speaks to TMN.
02 May 2012
As part of a broad social history project, the late John Peel’s vinyl collection is being archived online.
01 May 2012
Every week we ask a different person in the industry to tell us about a formative record in their lives.
30 April 2012
Are big-name artist holdouts holding up the streaming business? We ask four industry insiders.
27 April 2012
Nic Jones, the Senior Vice President, International, Vevo, chats to TMN about their Australian launch, and future plans.
19 April 2012
CD singles are all but gone. Will we see CD albums phased out in the near future?
18 April 2012
David Fricke, Senior Editor of Rolling Stone US talks Australian music, the future of journalism... and Keith Richards
17 April 2012
Despite losing its $1billion copyright infringement case against YouTube in June 2010, Viacom is taking a second swing. Once again, the very future of online video hangs in the balance.
+ SHOW MORE
14 May 2012
Australian artists are forever faced with the tyranny of distance. Is there a positive to come from it?
03 May 2012
Nick Gatfield, Chairman and CEO of Sony Music UK, speaks to TMN.