REVIEWS

Screen_shot_2013-02-06_at_3.02.19_PM

Album review: My Bloody Valentine, m b v

06 February 2013

by Nathan Jolly

Shoegaze is all the rage at the moment. Spawned from the chillwave genre that hit the radio-air-waves in 2010, it has seen countless rock bands attach whammy bars to their guitars, use a hefty amount of reverb and write songs about shoegazing. My Bloody Valentine are the latest in a long line of acts to adopt this sound. With their name a clever cross between fellow shoegazers My Chemical Romance and Bullet For My Valentine, it appears that singer Kevin Shields has the right idea, but the production doesn't really hold up against efforts by fellow shoegazers Wavves or Tame Impala.

First off, the vocals are way too buried, with some of the guitars being way too loud for any enjoyment. I'd hate to see how this comes off live; with the loud guitar volumes and reliance on reverb, I cannot imagine how this album would translate.

Secondly, there was no lyric sheet with the album, which is fine if one can hear the words, but shoegazers won't have a hope of singing along.

Thirdly, the mastering seems to have been comprised, with a woozy quality suggesting that somebody left the master tape on the dashboard of a car in the sun. Sloppy, and disappointing. Then again, without a major label attached to this release, such issues can happen.

Fourthly, the cover art seems to be blurry and lo-res, which actually matches the music, luckily.

A fun record but ultimately forgettable. Maybe if this band can attract a name producer such as Bob Rock or Gotye, they will be a success.

Comments

REVIEWS

  • Jesus Christ Superstar

    13 June 2013

    It seems as long as societies are plagued by greed, excess and misuse of power, stories of saviours will continue to resonate with audiences.

  • Album Review: Sleeping With Sirens, Feel

    12 June 2013

    While Feel could be a much-needed palate cleanser for the band, fans looking for the dizzy crushing in If You Can’t Hang or the reserved textures of Roger Rabbit should check all expectations at the door.

  • Album review: Primal Scream - More Light

    04 June 2013

    More Light is Primal Scream’s most ambitious and exciting record in a decade.

  • Live review: Empire Of The Sun, Vivid Live

    31 May 2013

    Ever think you’d witness instrument destruction by a man dressed in a shiny golden dress surrounded by Lycra clad dancers in the Concert Hall of Sydney’s prestigious Opera House? Neither did we.

  • Live review: Kraftwerk, Vivid Live

    28 May 2013

    They say in order to truly understand the English language you must first understand Latin.

  • Live review: Local Natives

    16 May 2013

    The indie rock five-piece entered the stage to the strains of David Bowie's Young Americans, which was a fitting introduction to the energetic show that would follow.

  • Live Review: Tool, Sydney

    06 May 2013

    Tool's arena tour is a violent reminder of the progressive sound that has remained impervious to trends or copycat newcomers.

  • Live review: Groovin' The Moo 2013

    29 April 2013

    In Maitland, it’s not unusual to spot the odd cow or horse hanging out in a roadside paddock. But, dinosaurs and giraffes walking up the main street can only mean one thing: the Moo is back in town.

  • Live review: 666 words on Black Sabbath in Sydney

    29 April 2013

    The depth of influence that the original incarnation of Black Sabbath has had on hard rock and heavy metal over the last four decades can never really be understated.

  • Fall Out Boy have lost their lyrical edge

    26 April 2013

  • Album review: The Flaming Lips, The Terror

    23 April 2013

    Wayne Coyne described The Terror to this publication as “dissonant, even amongst itself”, which seemed like an exciting prospect.

  • Album review: James Blake, Overgrown

    16 April 2013

    Just as he set out to do, Blake has scored a direct hit to the heart, in the most sonically arresting way.

  • Live Review: Fall Out Boy, Sydney

    26 March 2013

    If this was a plan to have us associate last night with every youthful indiscretion that was mimicked in their first two records, then it worked.

+ SHOW MORE

COMPETITIONS

123